Film Reviews
Tribeca 2025 Review: Zippy Kimundu's ‘Widow Champion’ Explores Resilience in the Face of Patriarchal Norms in Kenya
Tribeca 2025 Review: ‘The Inquisitor’ Spotlights History-Making Trailblazer Barbara Jordan
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
SXSW 2025 Review: Nastasya Popov Explores Fashion and Reality TV in Energetic Satire ‘Idiotka’
Sundance 2025 Review: Meera Menon and Paul Gleason Pay Homage to Romero in Intimate Zombie Thriller ‘Didn’t Die’
Sundance 2025 Review: ‘How to Build a Library’ Explores Inspiring Restoration and Decolonization of Nairobi’s Oldest Library
Review: Gary Dauberman’s ‘Salem’s Lot’ Is Ambitious but Doesn’t Leave a Mark
Review: Brandon Espy’s ‘Mr. Crocket’ Promises a Fun and Frightening Good Time
Review: ‘Apartment 7A’ Has Style but Lacks Suspense as a ‘Rosemary’s Baby’ Prequel
TIFF 2024 Review: R.T. Thorne Makes His Feature Debut with Captivating Post-Apocalyptic Thriller ‘40 Acres’
Review: Lee Daniels Delivers Drama But Not Much Horror in ‘The Deliverance’
Review: In Netflix’s ‘Damsel’, Millie Bobby Brown’s Princess Doesn’t Wait for a Prince
Sundance 2024 Review: Bruno Mourral Makes His Feature Directorial Debut with Darkly Funny Crime Thriller ‘Kidnapping Inc.’
Sundance 2024 Review: Johan Grimonprez’s Essayistic Documentary 'Soundtrack to a Coup D’etat' Explores Link Between Jazz and Politics
Sundance 2024 Review: Nico Parker Shines in ‘Suncoast’, a Coming-of-Age Dramedy about Grief
Sundance 2024 Review: Haley Elizabeth Anderson Returns to Sundance with ‘Tendaberry’, an Intimate Portrait of Young Love and Loneliness
Review: Awkwafina and Sandra Oh Are Sisters in ‘Quiz Lady’, an Oddball Comedy with Lots of Heart
Fantastic Fest 2023 Review: Winning Millions Has Deadly Consequences in Daniel Brown’s Thrilling Morality Tale ‘Your Lucky Day’
Fantastic Fest 2023 Review: ‘Pet Sematary: Bloodlines’ Unearths the Origins of Jud Crandall and the Lore of Ludlow
Review: Juel Taylor’s Strange and Stylish ‘They Cloned Tyrone’ Oozes Originality
SXSW 2023 Review: ‘The Angry Black Girl and Her Monster’ is an Emotionally Charged Creature Feature
SXSW 2023 Review: David Dastmalchian Kills It as a Talk Show Host Going through Hell in ‘Late Night ith the Devil’
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