Articles + Essays
A Groovy, Gory Great Time: Celebrating 10 Years of ASH VS EVIL DEAD
They’re Alive! Six Frankenstein Adaptations to Watch for a Monstrous Halloween
Review: Andy Muschietti’s ‘It: Welcome to Derry’ Dives into the Town’s Lore and Evil Origins
Review: ‘Gen V’ Is Back and Bloodier Than Ever with Sophomore Season
Review: 'Only Murders in the Building' Returns with New York-centric Season 5
5 Crazy Disney Parks Rumors That Are Fake & 5 That Are True
Review: James Gunn's ‘Peacemaker’ Makes an Explosive Return with Highly-Anticipated Season 2
Cult Classics: Revisiting ‘I Know What You Did Last Summer’
Why ‘Squid Game’ Fans Are Divided on Brutal Final Season
Review: Riri Williams Finally Gets a Proper Introduction in ‘Ironheart’
Tribeca 2025 Review: ‘I Was Born This Way’ Honors the Legacy of Singer-Activist and Archbishop Carl Bean
Tribeca 2025 Review: Zippy Kimundu's ‘Widow Champion’ Explores Resilience in the Face of Patriarchal Norms in Kenya
Tribeca 2025 Review: ‘The Inquisitor’ Spotlights History-Making Trailblazer Barbara Jordan
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
Top 10 Best Met Gala Looks 2025
Review: Joe Goldberg Comes Full Circle in the Riveting Fifth and Final Season of ‘You’
Review: Season 7 of ‘Black Mirror’ Returns to Sci-Fi Roots
Six Female-Centric Body Horror Movies to Watch if You Loved ‘The Substance’
Review: Uzo Aduba Leads Paul William Davies’ White House Whodunnit ‘The Residence’
‘Final Destination’ at 25: Looking Back on the Quintessential Aughts-Era Horror
SXSW 2025 Review: Nastasya Popov Explores Fashion and Reality TV in Energetic Satire ‘Idiotka’
SXSW 2025 Review: David Oyelowo Stars as Ex-Con Inventor in Absurdist Romp ‘Government Cheese’
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